Someone's gotta start this ball a-rolling!!

Everyone's a comedian!!

<Watches this space and waits to learn all those hair-painting tricks>

Thanks for posting the ref Dom. She does have somewhat unusual features (and I think I recognise her though I can't remember where from...) Still, you did elongate her head so that the eye is slightly higher than hers and the forehead is even more offset. (And the ear is closer to the face and higher.) This together with her not yet having hair is probably the reson her face looks rather "pinched" at the top (mostly affecting the eyes). Also you made the neck slightly shorter which may further emphasize the extra length to the forehead. (I just overlaid the two images to compare proportions.)

I think I'd pull the eye and forehead down some, myself, but I am looking forward to seeing your progress. And as Valence I'd love to see your hair painting process step by step!

Looks like the lovely Emmanuelle Beart. There are worse things to stare at while painting.

Thanks for the tips and feedback guys!

I don't know who the image is of, I just typed in "Portrait profiles" into Google and these were some of the images that cropped up!

Because the character is a somewhat aloof, but also bonkers! I wanted someone who looked wound tight and also condescending. I really don't mind if the face isn't quite right just yet, I just want a face to paint hair onto!! In fact, as a point of practice I like to try and paint a character from a reference that is orientated the opposite way to my painting. So if my image is flipped to face the right, I will flip the reference image to the left. It was a principle I picked up from a wonderful anatomy book I read where the reader was encouraged to practice drawing a skull (from life if you had one) that was set up upside down, but draw it the right way up. It is pretty tricky!!

She does have a strangely long face though, doesn't she Charlotte! That's a quirky thing that made me chose this face.

I will get to the hair as soon as I can. I am looking forward to it! Thanks for the encouragement both of you!!

OK, here's my latest WIP. I have been having fun with the hair!

Here's what I did up to now.

1: First step is I got myself a good reference image (or two, as in this case). Then, using a soft brush, I painted in the basic shadows (100% opacity) and highlights (between 50 and 70%). I like to start with the darkest colour in my pallet first.

2: Still using a soft brush I build up a little higher through the values (35-50% opacity) and try to make some interesting shapes. I use the reference quite a lot for this, picking areas I like the look of.

3: Switching to a hard edged brush (standard round in PS) I pick a high value colour and start to pick out the edges. The method I use is to start with a big brush at a low opacity and then to work down in brush sizes and up in opacity. I start at about 20% opacity. I want to keep to the same basic shapes that I made in the first two stages and not get too messy with the strands of hair. This helps me to highlight the volume that is making up the shapes in the hair.

4: A very important thing I try to remember is to work back into the hair with the dark shadow colour I started with. I keep the opacity at 20, but change the colour from a highlight to the shadow colour and then work under edges that I made in step 3. At this stage I like to get a bit more messy and let my brush cross the shapes I made in step 2 and criss cross the rest of the hair.

5: Another thing I tried to remember was the flow and form of the hair. So I went back over it with a soft brush and re-highlighted the contours. By painting broad lateral bands I think it unifies the hair and stops it looking like painted plastic!

6: I then go bonkers with a small brush (but not 1 pixel if I can help it! Usually 5 pixels is small enough) and a high opacity (40%) and scribble all over it! I love to add loose strands and imperfections at this stage. Then I used a trick! I copy a section of the hair that I am currently happy with, copy it, flip it, place it over some other part of the hair and turn it until I like the way it looks, set the layer to overlay (or screen, if I want a highlight) and then using a soft eraser I blend it into the image.

Each stage inly takes a few minutes. This is the method I use most of the time. I think it works better with curly hair than with straight too.

Hope my explanation was understandable!

Question: What pen pressure settings do you use for your brushes?

I like the way it has the soft texture of hair, all fluffy and touchable. Mine always looks like fibreoptic wires!

I only use Photoshop elements 9, so there are no pen pressure settings. It says that I control the size through the pen, but that's it!

I have no custom brushes either, I have yet to figure out what that's all about! So, I just pick the pre-set brushes and use those. Standard round and standard soft are the only two I used.



I played around a little more with the hair and tried on some make up (I mean painted it on to her, not tried it on myself!). Plus, I lowered her eyelid a bit and added some freckles, because they're adorable!