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Crankshaft's Sketchbook
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Fixed up the mech. Mentor had very little to critique! Mainly just some edges here and there.
Some visual library/draftsmanship studies. My eyes are bleeding from the amount of mistakes. Pen is very unforgiving.
The Mark 1 tank. ww1
ww2 Mermon Herrington. These were used in South Africa.
I know I shouldn't be doing this but I couldn't resist. Look at the first and last one.

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Valence wrote: Terrific work and progress, Crankshaft.
The use of cool reflected light on the legs adds that extra dimension and polish to the image. I know that technique has been discussed before in previous posts but now you seem to be able to make these ideas work practically rather than just in theory.
That transition from knowing something and then being able to actually do it is a very important step and I think you've done that now.
Can't wait for your next one!
Thanks Val! Now I'm worried. I feel that I've set the bar too high and I may never be able to surpass it. It may be all down hill from here.
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I'm starting to see a lot more variety in your pictures and thumbnails in terms of the angles, viewpoint and composition.
Anatomy never stops being hard though. Keep at it.
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So much overlap from photography! Learning lots about composition. Trying to really step out of the norm and introduce more variety in my work. Some more photo studies from my Thai book.
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Valence wrote: Good photo studies, Crank.
I'm starting to see a lot more variety in your pictures and thumbnails in terms of the angles, viewpoint and composition.
Anatomy never stops being hard though. Keep at it.
Thanks Val! It's loads of fun! Never thought stepping out of my comfort zone would lead to so many challenges and opportunities!
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It's easy to 'burn out' when you fail to see improvement after working as hard as you obviously are so when you do see an obvious improvement in your work (as we are seeing in yours) spend some time to breathe and take a look around.
No smudge tool was harmed in the making of this image.
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Been super busy with the cgma stuff. The amount of work is insane but I'm learning lots. So this assignment was mainly based on composition and storytelling, camera views, focal lengths etc. I have many thumbnails but due to time I settled on this one. Going for a semi tight line drawing with flat value. I'm also making sure I use this opportunity to really try new things ie avoid static views and mix what I learn from my mentorship. So I did things backwards and did a comp with rough values then a line drawing. The narrative here is from WW1 when the British introduced the first tanks (Mark 1) against German forces. The Germans were frozen with fear and clueless on how to retaliate.
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The focus for this week was on storytelling and composition and I learned a lot of valuable lessons. The instructor said the piece was well balanced with good flow but the piece felt "detached." What I should of done was have the viewer in the trenches looking up at the advancing tanks. I did a lot of different thumbs but when I settled on this one I didn't even think of doing more thumbs/versions of the same idea. Anyways pretty happy with the piece and it's so much more dynamic than my usual work:
-The horizon line is actually tilted
-There's actually a sense of story
-We're looking up
-It's a full environment
-There are figures! Yay! Faillll
Anatomy studies from hampton and visual library sketches. Itching to do some personal work
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