Well, this is a tough one to call. Too much goodness. Too much!
Madi:
Loved the start of your pic. That strong diagonal of the left arm with the opposing angle of the right elbow was an interesting construction that captured the moment of the bow about to be drawn. (Drawn in both senses of the word!
)
Hope your neck stops interfering in your art.
And Good Luck with your sketch cards!
Cgmythology:
It's hard to believe the amount of work you crammed into this picture, it made me feel a little guilty about my rather sparse effort.
The composition is really well designed in the way that imposes its symmetry onto the viewer and then breaks it, allowing the eye to move on those broken paths to guide you through the repeating shapes to all those interesting little details. And of those little things, the two that really appeal to me are the well-placed candles that balance the space in front of the reclining figure and that lovely bit of outlined art on the urn which is catching the light in a beautiful way.
All of these things are kind of like satellites orbiting the central, imposing presence of the Hades character, who sits there like a big black hole, controlling and influencing everything in his world, and the repeated shapes of the skulls and horns seem to emphasize the power he has and the fear he creates.
It's a very successful picture done with your usual, recognisable style.
Atto:
First of all, great colour scheme. The blue/orange combo always works and always looks good, and it's the perfect mood for an underwater pic. And it is recognisably underwater with that murky background, the caustic light from above and that floating hair. (In fact, it reminded me of the latest Pirates… movie where the bad guy has amazing hair that behaves as if it's always underwater!) I also love that frozen pose with the hammer held high at the moment of greatest potential, creating that sense of stillness that you get when submerged within the oppressive mass of water.
But my favourite part of the pic is that glowing metal. The colour graduation and glare is perfectly done. It just looks so blindingly hot, I can almost feel the heat coming off it! It's an excellent bit of technique and it acts as a fantastic focal point for the whole image.
Thomgirl:
I was pretty impressed at how you effectively managed to paint two versions of the same painting in different styles while I was struggling with one.
And this is a lovely idea filled with the kind of stuff that I wish was in my picture. There's a thoughtful and emotional expression to the character that reflects against the more instinctive, eager pose of that beautifully painted owl that looks like it just wants to fly and be free (and such great feathers!) I love the way that these two concepts exist on either side of that diagonal line of the flowing fabric yet the woman's head and the owl's wing both extend across that line as if both aspects of their characters need to connect, a concept which you then manage to express as a quotation. It all gives the image a context and narrative depth that feels very satisfying.
The danger of doing two different styles is that you may end up preferring little bits from each pic and in this case I kinda wish you'd kept the woman's eye from the first version. But I have to say that the background in the final is awesome! It's painterly yet still realistic and that area of blooming light is perfectly placed behind the head.
Hansnomad:
I think everybody's work this month has something that I wish I'd done and in this case it's the Mucha theme with that glorious, ornate framing. Then again, even if I'd dared to risk it I don't think I'd have the skills to pull it off and I certainly wouldn't get anywhere near this quality. It's just so beautiful to look at. And just like Cgmythology's pic you've also played around with breaking the symmetry so that the image isn't static or overpowering, especially with the slight offset position of the head and its subtle tilt.
The whole figure is fantastic. The hair just looks real to me and the fabric's folds appear completely natural especially that area just above the horizontal arm where it billows out and hangs over.
The colour scheme is lovely too. Even though you were thinking of something cooler, this still works too and gives me the feeling of when the moon is low in the sky near the horizon, when it always seems larger than it really is and its reflected light, passing through more of the earth's atmosphere, has a warmer touch to its glow. And you've really captured that light here, not only in the moon and the staff, but also in the skin and the radiant fabric.
A really beautiful picture.
Voting?
Do I have to?
I'm really torn this month and would happily commit some kind of voter fraud to pick more than one.
I'm seriously considering not voting at all just yet and giving myself a few more days to ponder but I know I'd just end up in the same awkward dilemma.
Come on, you idiot. Pick one!
I pick …..
Nope, I'm gonna have to think about it for another day.
Hardest vote EVER!!!