Beginneth, I shall.
First of all, it was good to see some new faces diving in to the challenge this month. All members and lurkers are welcome to jump in at any time and have a go. There's no pressure for feedback or competition, just good clean fun and some great pics.
Atto:
I love the bold and striking design of this image. When faced with the brief of "Warlock" the obvious thing to do is to immediately sketch out a robed, bearded guy doing some magic in a quasi-medieval setting (and what kind of idiot would do a picture like that!
) but this figure of yours is imaginative, unorthodox and most of all, interesting. The twisted tension of the pose is brilliantly dynamic and the effect of the birds emerging from the hair is very convincing to me.
Part of me wishes that you'd had a bit of extra time to render the torso as clearly as the shoulders (damn that pesky job stealing your time!) but I'm also glad you used some of that time to do a background. And, seeing as I'm going through a bit of a "drippy" phase too, that background does appeal to me and gives it a graffiti-style twist, making it a very modern take on the warlock idea.
Oaktree:
I think you've made some terrific progress this month. This is definitely the best picture I've seen you do and I was super pleased to see you throw those deep values in right from the start.
It's a great composition with the right balance, depth and focus for the subject matter. The lined, wrinkled face and its expression give a lovely sense of the character's personality and it's all very well lit from that single flame. A little touch of a more reddish hue to the shadow areas would maybe help the transition across the skin and match the well-observed highlights that are already there.
Another impressive thing about this picture is the addition of all the little details, like the translucency of the candle where the light bounces in and through the wax, that lovely lensing effect of the glass ball and the way the details of the page reflect the light sharply to pop out of the paper.
It's a big step forward from your previous pics in ambition and execution, so you should be proud of the effort and hard work you've put in this month.
Mr Sabrosito:
I really like the way you developed your picture. Sketching out those silhouette thumbnails and then refining and building on the best choices seemed very professional and efficient, and it was completed with the confidence of someone who knows what they're doing.
The setting and mood are perfect for this choice of character and I love the background bike with the flare in the headlight (I'm a sucker for those little lighting tricks
) and the hot fiery glow is nicely consisent across the image.
None of this overshadows the warlock though, with those fantastic spikes on his head showing how powerful and dangerous he is. I do like seeing a bulging vein or two beneath the skin and here they look just right, they sit perfectly across the form and catch just enough of the light to get your attention. Good Work.
Charco:
This was a little, late gem at the end of the month. You got through it pretty quickly but you got through it very well indeed!
The big fire demon rightly dominates the picture with its full value range and the lovely control of saturation, yet there's plenty of good stuff elsewhere around the image, like the variety of colour with the magic green glow and that touch of purple, or the solid forms described by different types of edges (some crisp and clean, some blurry and others lost in the softness.) And then there's the clever composition with the arrangement of those foreground figures all leaning inwards to the centre to guide your eye back to the warlock and the demon.
And as I said in the wips, the lighting on the main figure is very good. With such a bold backlit scene it would be easy to leave the main character looking very flat and boring but that bit of green cascading down the arm adds extra dimension to the form to make him pop out further. Lovely technique.
Micro:
Grr!
Once again you had so many ideas and restarts it was like you were having your own contest! And in that contest I would have picked your first one. It had a nice depth and atmosphere. It's a shame you couldn't settle on a single concept in the time but don't worry about it. Too many ideas are better than no ideas.
Just try to have more confidence in those ideas, trust those great texturing skills you have and ignore the doubt to keep working through it until the end.
I've already had enough of elections but I suppose I'd better vote in this one...
I find myself torn between Atto and Charco. I think Charco's is technically the best of all of the entries while Atto's has such an imaginative concept.
I think… I'm just gonna go for….
Atto. Yes, Atto, I've decided.
The dripping magic, the tortured pose showing the physical effort of that magic (great hands as usual) and that clever play of contrast with the background: light on dark at one side, dark on light at the other, like some graphic re-enactment of yin and yang.
That is the warlock that interests me the most and keeps me thinking about the picture when I'm not looking at it.