Hansnomad:
Another very strong picture from you. It started with the usual well-controlled drawing and then built up gradually, first with those interesting layers of texture, and then with the solid lighting that captures the form of the figure, while at the same time keeping the mysterious darkness of the intriguing surroundings. I do love the composition and the confrontational pose looking straight at us with that well-defined head. The mood reminded me a bit of those old Splinter Cell games where the rugged hero would have to sneak about in near darkness only to occasionally be seen in the angle of a spotlight or the glow of a nearby fire. And that style fits very neatly with this character idea and the backstory you created.
SchizophreniaWolf:
As always, Schizo, great design, wonderful dark weirdness and the depth of a backstory too. Terrific use of 3d here, especially the way you integrated it with your painting style. It all looks completely unified in a way that's very difficult to acheive.
Both characters are well designed and work as an interesting contrast, with the cold metallic mask of the man and the softer, wounded face of the boy, and lovely lighting across that face too, with the warms on one side and the cool on the other, and with that extra bit of blue hitting the eye. Also the way the picture fits around and within the template without obscuring details or text shows that you really understand how this kind of thing works.
Quetzal:
I said it before, but I love the viewpoint here. You have the beginnings of an excellent image and the idea of the TV projecting his shadow on the wall is brilliant, like some couch-potato version of the Batman sign shining back on his own wall instead of the clouds of Gotham.
Tyl:
This was one of my favourites while it was developing. Fantastic painterly textures and brush strokes, just the kind of thing I like. And the muted colours and composition give it the look of a formal yet poignant portrait of an old fallen hero.
Also your final wip looked almost complete to me. I would've accepted that as a final. :nods:
Segujo:
Great depiction of character and personality in this. The face, the pose and the gesture with the gun give me an immediate sense of what kind of hero this guy is even without any other context. As with all unfinished works I've would have loved to see the final.
Em...:
Only a doodle but a great one. Even your quick sketches seem to communicate more than my final pictures. So clean and crisp with such efficient and economic use of colour and line.
And so to choose.
Both the finished works are excellent and if I was commissioning them for a magazine then I'd be happy to hand over good money for both of them. Also seeing all the pictures together made me realise how well they both used high contrast (something I didn't, leaving my pic looking a bit of a midtone washout.)
Hansnomad's picture has fantastic atmosphere and mood while Schizo's has lovely vivid colours while still somehow retaining a creepy darkness.
I think there's really only one thing that separates them and that is the starburst flash of sparks at the left of Schizo's picture. It's a brilliant design trick and it really catches the eye in the way that covers are supposed to.
If all the pictures were covers lined up on a shelf, I think that Captain Petrol would be the one I would look at first and therefore, as the brief is about creating a cover, I have to give that the win.
But ideally, if this was a real magazine then I'd want Schizo's on the cover and Hansnomad's to be an uncropped pull-out poster!
I'd buy that.