First of all... everyone got a likeness! I'll pause for a standing ovation and a collective sigh of relief. Well Done! And now for the evil choosing...
Hmmm, this month I think there were two standouts for me and it was tricky to pick between them (
and then pick between the others!) but I think I'll go with this order...
1:hobbyhorse
2:CherryGraphics
3:aonodori
hobbyhorse: I thought this one was simply the best portrait and the best likeness. Just focusing in on the head and shoulders you can see it makes a great picture just there in a classical style. For that alone I'll just edge it past Cherry's. But of course the picture doesn't end there. Expanding your view reveals a wonderfully imaginative composition that shows a keen eye for detail and a great understanding of how characters and figures interact within the same space. The initial model-making (cats with wings!!!!) and posing also demonstrates a kind of forethought and level of preparation that is way beyond my own sad lack of patience. I always admire those that can successfully achieve the things that I can't do (or can't be bothered to do) and in this picture all those things are undoubtably a success. Therefore have my winning points for your expert skill.
Cherry: Just like hobby's image the attention to detail is an enormous selling point for this picture. The thought, the effort and the necessary skill required to do something like this are all shown there on the screen for everyone to see. There's a wonderful variety of ideas, shapes and textures here from the furry little critter on your head to the leaves and the feathers, the orb of water with the army of ghosts and dew drops and, importantly, the radiant skin texture of the recognisable face with its fiery hair. The picture is well populated with concepts and wherever you look there's always something for your eye to find and enjoy yet it's never overpowering, everything is well balanced by the symmetry of the composition. Also the way you understood the problems you faced with the neck and corrected accordingly was nicely done and added a final credibilty to the picture.
aonodori: The third place was a difficult choice between lots of different styles and techniques and also the different ways that you can "like" a piece of art (so sorry to all the others) but I'm going for this because I just kept wanting to look at it again. There's something quite endearing and appealing about the playfulness of both the pose and expression, with the concentrating tongue, the closed eye and then the framing hand gesture that's repeated by the cute little fellow on your arm. I also liked the hair tangled into the background, it's a really awkward thing to paint but you've done it convincingly in a way that links the character to the environment. The proportions of the face are well done, the hands are way better that the ones I can do and the skin has both a good texture and a good variety of hues that give it that bit of life you need in a portrait. The one critique I'd offer relates to your own complaint of a lack of time. I think just one more "shading pass" over the whole picture would have deepened the dark areas in an AO kind of way and added more subtlety to the forms, especially the armpit area. At this point I should acknowledge that armpits are evil things to draw and paint with their horrific intersections of positive and negative curvature (indeed, I am often happy to cover them up or crop them out, slipshod coward that I am! so extra kudos for having the bravery to do it.) But even without the extra shading the remaining style is consistent across the whole picture and it still works for me and makes me want to look at it again.
edtucker: I think the time constraints affected you too a little. You came quite late to the challenge and yet I was amazed at the quick progress you made. Right with your first colour you immediately created a deep, receding landscape with well-described buildings and one of those cloudy yet blue skies you often see in classical oil paintings, all with believable aerial perspective. The figure is well placed and composed, and the presence and idea of the modern-style superhero transformed into an historical context is an interesting one. I can't help but imagine how well the image would have developed further with a little more time to work on the foreground forms but all the things you managed to do were things you did well. Keep the progress going!
Jessie: Lovely style as always; crisp, clean and striking. I do like watching your pictures develop in ways I just don't understand, ways that are so alien to my own scribbly, smeary mess. And this picture's another good one. Despite the hardness of line and solidity of colour that comes with vector work you've still managed to capture the softness of hair and the delicate ethereal forms of amorphous jellyfish, all encapsulated in the ominous pressure of the surrounding water, a pressure that emphasizes the melancholic mood- that internal state created and influenced by external stresses, stresses that the soft jellyfish seem oblivious to as you gaze at them almost in envy of their indifference to the oppressive force. There's a real sense that the picture is expressing something beyond what we can see in the image, it has a real emotional maturity and sophistication and if this was an open brief this may well have won it for me but the "fantasy self portrait" tag made me lean towards something less darker. In fact the more I talk about this picture the more I want to give it some points but voting rules won't let me. Damn them! No, I made my decision, slap me for it if you like, I certainly deserve it, but congratulations on a great painting!
Susie: Everyone said it in the wip thread (including me) but it's worth saying again: Those snakes are awesome!!! Challenges are fun because you see other people's early sketches and you can't help but try and imagine how you yourself would colour and develop their ideas and my version (in my head) of how I would do those snakes was nowhere near as good as how they turned out. Nowhere near! Not even close! My jaw dropped, literally, in the cartoony Wile E Coyote style when I first saw how you did it. But we shouldn't talk just about the snakes. The whole idea was good, emerging from that pun, and you developed it well. It's a nice likeness with good proportions and the expression- what would be a benign smile in a normal picture- when juxtaposed with all those snakes suddenly becomes much deeper, more sinister, ambiguous and enigmatic, and the addition of the high contrast eyes at the end added an extra punch to this. As was mentioned before the skin tones
are saturated but given the fantasy nature of the picture and the vivid colours of the snakes it still balances well enough. Skin tones can be quite intimidating but it's important to remember that it is just another surface to observe and reproduce, and you've shown here with those snakes that it's something that you can do very well.
microscopi: I've said this to you before but it's true: It amazes me how quickly you can change your pictures and ideas while you're still painting them! It's so brave to make such bold decisions and in this picture those decisions were undoubtably correct. The idea you settled on was by far the best and I was impressed by the way it was so different from your usual style. The likeness is good and you have got a really solid pose there. There's a mood and an anticipation to the picture as if the fight is just about to start and that lightsabre is about to be swung. And whoever the opponent is ... they're in trouble! The lighting you chose was a tricky one but even with the deadline approaching you worked it out well and made some great changes at the end to make the image work.
Schizo: Another excellent piece of professional quality work ... as always. I knew you'd be the imposing bad guy and you nailed it in the picture, along with the accompanying back story. I do like the vertical upshot perspective to the background, I tried and failed to do that myself recently but you hit all the lines just right here. The wolf and figure are perfectly defined and the surrounding diagonals form an impressive composition. My reaction is similar to Jessie's picture regarding the brief, I didn't quite put you in the points because the mood is less of a self portrait and much more an epic piece of graphic design. It's like a film poster or a magazine cover, something that should be out there on a massive billboard looming over us in its scaled-up brilliance. And like I said to Jessie, if it was an open brief this could be a contender, I like it a lot and it probably deserves the points that I'd like to give it but haven't. So set that scary dog on me and let loose your evil drones and I'll run for my life!
Finally, let me add that it was great to see some new faces in here (literally so, given the brief!) I hope you all stick around for another one, it was fun! Well Done Everyone!